<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>VoiceCouncil Magazine &#187; Reverb</title>
	<atom:link href="http://voicecouncil.com/tag/reverb/feed/" rel="self" type="application/rss+xml" />
	<link>http://voicecouncil.com</link>
	<description>Practical insight for today&#039;s emerging vocalists</description>
	<lastBuildDate>Tue, 07 Feb 2012 12:00:52 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>Making Hit Vocals 7 &#8211; Octave Doubling</title>
		<link>http://voicecouncil.com/making-hit-vocals-octave-doubling/</link>
		<comments>http://voicecouncil.com/making-hit-vocals-octave-doubling/#comments</comments>
		<pubDate>Sun, 27 Feb 2011 19:24:59 +0000</pubDate>
		<dc:creator>VoiceCouncil</dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Vocal Insight]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[pedals]]></category>
		<category><![CDATA[Reverb]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=8080</guid>
		<description><![CDATA[Stacking your vocals in unison can lead to a powerful mix - Tom Lang shows how.]]></description>
		<wfw:commentRss>http://voicecouncil.com/making-hit-vocals-octave-doubling/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Support Your Voice II &#8211; Technology</title>
		<link>http://voicecouncil.com/support-your-voice-ii-technology/</link>
		<comments>http://voicecouncil.com/support-your-voice-ii-technology/#comments</comments>
		<pubDate>Sun, 06 Feb 2011 19:57:19 +0000</pubDate>
		<dc:creator>Bill Gibson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[VoiceSupport]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Gigs]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[Monitor]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Reverb]]></category>
		<category><![CDATA[Venues]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=7864</guid>
		<description><![CDATA[Don’t put up with a mix that leaves you up in the air with rhythm and pitch.]]></description>
		<wfw:commentRss>http://voicecouncil.com/support-your-voice-ii-technology/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>An Inspiring Mix</title>
		<link>http://voicecouncil.com/an-inspiring-mix/</link>
		<comments>http://voicecouncil.com/an-inspiring-mix/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 17:00:06 +0000</pubDate>
		<dc:creator>Bill Gibson</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[VoiceSupport]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[Monitor]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Reverb]]></category>
		<category><![CDATA[Stage]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=7648</guid>
		<description><![CDATA[Vocalists do their best work when they feel comfortable and inspired on stage or in studio. ]]></description>
		<wfw:commentRss>http://voicecouncil.com/an-inspiring-mix/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Review: Harmony-G XT</title>
		<link>http://voicecouncil.com/review-harmony-g-xt/</link>
		<comments>http://voicecouncil.com/review-harmony-g-xt/#comments</comments>
		<pubDate>Tue, 28 Sep 2010 21:38:28 +0000</pubDate>
		<dc:creator>Chris Kennedy</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[Gigs]]></category>
		<category><![CDATA[pedals]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Reverb]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=6167</guid>
		<description><![CDATA[Are the new features enough to set this vocal effects unit apart from the competition?]]></description>
		<wfw:commentRss>http://voicecouncil.com/review-harmony-g-xt/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Technology 101 for Vocalists: Part II</title>
		<link>http://voicecouncil.com/technology-101-for-vocalists-part-ii/</link>
		<comments>http://voicecouncil.com/technology-101-for-vocalists-part-ii/#comments</comments>
		<pubDate>Tue, 24 Nov 2009 23:08:31 +0000</pubDate>
		<dc:creator>Greg Barker</dc:creator>
				<category><![CDATA[Bloggers]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Compression]]></category>
		<category><![CDATA[effects]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[Gigs]]></category>
		<category><![CDATA[pedals]]></category>
		<category><![CDATA[Reverb]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=2351</guid>
		<description><![CDATA[You won't want to miss Bill Gibson's discussion of the basics of technology for singers. ]]></description>
		<wfw:commentRss>http://voicecouncil.com/technology-101-for-vocalists-part-ii/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>That Airy Pop Sound: EQ and Compression</title>
		<link>http://voicecouncil.com/that-airy-pop-sound-eq-and-compression/</link>
		<comments>http://voicecouncil.com/that-airy-pop-sound-eq-and-compression/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 20:33:28 +0000</pubDate>
		<dc:creator>Bill Gibson</dc:creator>
				<category><![CDATA[Bloggers]]></category>
		<category><![CDATA[Gear]]></category>
		<category><![CDATA[Compression]]></category>
		<category><![CDATA[EQ]]></category>
		<category><![CDATA[microphones]]></category>
		<category><![CDATA[Q&A]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Reverb]]></category>

		<guid isPermaLink="false">http://voicecouncil.com/?p=1224</guid>
		<description><![CDATA[Bill Gibson runs through the variables in getting the sound so many singers want.]]></description>
		<wfw:commentRss>http://voicecouncil.com/that-airy-pop-sound-eq-and-compression/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

<!-- Performance optimized by W3 Total Cache. Learn more: http://www.w3-edge.com/wordpress-plugins/

Minified using disk: basic
Page Caching using disk: enhanced
Object Caching 589/645 objects using disk: basic

Served from: voicecouncil.com @ 2012-02-08 03:40:00 -->
